High Quality for Medium duty mesh decking racking to Sevilla Manufacturers

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Suzhou Innovative Store Equipment Co., Ltd. – the supplier of industrial warehouse shelving systems of the highest standard. Industrial shelving calls for high standards of stability and load bearing capacity and the optimum degree of safety. The warehouse racking provide is with speed and ease of assembly. The components parts can be straightforwardly assembled and are distinguished by the precision detailing of their cross members (with varying load bearing capacities) stretchers and shelves.

Safety is a major feature of our industrial shelving systems. Indispensable safety accessories include end-brackets, back stops and collision guards. Environmental protection is closely associated with safety. Our powder coating contain no solvents, while the process materials we use are free of any aromatic or chlorinated hydrocarbons.

Standard components

• Longspan shelving make the warehouse neat & clean
• Save time and money with the easy to assemble Pallet Rack System.
• Frames and beams are fabricated from heavy material
• Holes on face of column rather than corners ensure column strength
• Connector safety lock provide auto engagement, resist dislodgement and is removable and save
• Different types of beam and shelves is fit for different packaging
• Standard color of frame is vista green, beams are poppy orange

Advantage

• Designed to conserve warehouse and display space
• Industry’s most competitively priced units
• Designed to get attention and give maximum display space

More option

Use our optional parts and accessories to create a unique point-of-purchase units.

Storage wire cage | Corner guard | Column protector | Frame protector | Pallet stopper | Side wire mesh panel | Advertise top panel | Light box

What we can offer:

• System solution for any kind of storage and warehouse
• High flexibility
• Simplicity and favourable price
• High quality
• Development and design according to requirements of clients

Drawing on filmstrips, posters, cartoons, newspaper captions, canning manuals, mail-order catalogs and other sources, Danille Christensen offered examples that explore how technological changes contributed to the dismissal or even demonization of women’s experience-based domestic knowledge in the area of home canning.

Shelf-stable canned goods — heat-sterilized fruits, vegetables and meat preserved in sealed containers — have been part of everyday American life since the mid-19th century. While industrial canning utilized metal tins and mechanized processes, other forms of canning came to rely on glass bottles and the domestic labor of women. But even in the early 1900s, the practice had multiple meanings: for some, home canning was old-fashioned, inefficient or embarrassing. For others, it was a valuable skill to be displayed in public and mobilized in times of need.

In today’s contexts of economic instability, automated systems, and cultural and environmental change, do-it-yourself canning is experiencing a revival. The process can be a way to recall people and places, to perform authentic or esoteric taste, and to enact abstract values such as stewardship or self-sufficiency. In the 21st century, more people are canning their own food, and more are writing about it. However, the histories of canning that crop up in everything from food magazines to microbiology textbooks have been strikingly similar: they invariably celebrate a single “father of canning” — a man depicted as a chef and/or scientist motivated by military concerns — and consistently warn against relying on “grandma’s” methods.

Speaker Biography: Danille Elise Christensen received her Ph.D. in folklore from Indiana University and is assistant professor of religion and culture at Virginia Tech. Her work focuses on the ways people shape everyday speech, action and objects as they seek to influence and persuade others. Especially interested in gendered domestic labor as a site of commentary and display, she is completing the book “Freedom from Want: Home Canning in the American Imagination.” She is a 2015 John W. Kluge Fellow.

For transcript and more information, visit https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7638